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Practical Aesthetics is an acting technique originally conceived by David Mamet and William H. Macy, based on the teachings of Stanislavsky, Sanford Meisner, and the Stoic philosopher Epictetus.〔Lehmann-Haupt, Christopher (October 23, 1997). ("A Dramatist's How-To Guide for the Stage-Struck" ). ''The New York Times''. Retrieved May 9, 2012.〕 ==Technique== Practical Aesthetics is based on the practice of breaking down a scene using a four-step analysis that entails the following: 1) The "Literal": The essential and most basic description of what is taking place. 2) The "Want": What does one character ultimately want the other character to say or do. 3) The "Essential Action": An evocative and relevant description of what the actor wants within the scene. It is essential to understand that what the ''character'' is doing and what the ''actor'' is doing are separate. 4) The "As If": This relates the "essential action" to the actor's own life. For example: "Essential Action" – To retrieve what is rightfully mine. "As If" – It's as if my girlfriend has taken away my favorite album that I was going to give as a gift. I need to retrieve it because it is mine. This step is a memory device, a spark to involve the actor in the scene. It helps the actor escape the fiction, find the truth, and apply it elsewhere. This technique is aimed at making the experience of acting entirely based on the will of the actor. It is in response to "The Method, " which some believe uses more introverted and self-based practices. The Practical Aesthetic asks an actor only to commit his will to the pursuit of an action based on the other actor. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Practical aesthetics」の詳細全文を読む スポンサード リンク
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